Thursday, October 25, 2007

For Tomorrow...

...clean bathroom for company...30min
...grade 21 student papers at 15 min apiece...315 min
...read the final 227 pages of Tono-Bungay (Wells 1909) at 2min a page...454 min
...eating, bathroom breaks, necessary mental breaks...120 min
total time: 15 hours, 19 minutes.

It's already 12:18, and I've spent 4 minutes composing this blog. I question my will power to resist Ugly Betty, 30 Rock, and The Office tonight.

So, if I am riding on Train A, representing the minimal amount of work I have to do today, and Train B represents tomorrow speeding towards me at a rate of 60min/hr, how long before collision? Will I have time to jump off? If I do, will I injure my academic avatar? Will I pass my January exams?

*Note: If work is shown, partial credit may be available.

Tuesday, October 16, 2007

Academia

This past weekend I attended the Midwest Popular Culture Association conference in Kansas City. It was fun. For the whole weekend, I was able to walk around talking to interesting, thinking people about ideas and pop culture. There I felt like a functioning member of the academic community. Grad student and faculty mostly blend together, and since this was my fourth year there, I was comfortable in my skin. My panel was canceled because the two other presenters had deaths in their families, and my paper was moved to another panel that didn't fit as well. Most of the audience wanted to talk about comic books, rather than globalization issues and Bollywood musicals. Oh, well. I did have one woman come up to me afterwards and tell me that she was probably going to teach Bride and Prejudice as a result of my paper, which I found flattering. I ever so slightly affected academia! Huzzah!

In a more depressing turn, I was reading an article in The Chronicle of Higher Education about the dwindling numbers of conservatives in faculty. It claimed that the majority of faculty are not far-leftists though, that moderates are the growing number. Not surprising to me was the report that the smallest percentage of conservatives in humanities departments in PhD granting institutions. I would probably consider myself a moderate conservative, but definitely on the right side of the center line, and I often feel as though I cannot voice my views and values in my academic community.

The article provides an interesting reason that might be underlying my fears: the [lack of a] job market. I quote at length:

"Mr. Menand's impression is that dissertation topics in English have changed little since 1990. "Placement and tenure anxiety doesn't exactly encourage iconoclasm," he said. The last great period of ferment in literary theory, he argued, came in the 1970s and early 1980s, at a time when people commonly earned degrees within five years and easily found jobs. With lower personal risks and sacrifices, he suggested, young scholars could afford to offend their elders and to shake up their disciplines.

Today, by contrast, humanities students are sacrificing a decade of their lives with no guarantee of a job at the end of the line. "Who would venture on such a career who did not share, or believe that he or she shared, most of the views of those institutions and gatekeepers?" Mr. Menand asked."

Indeed the professors and the university are the 'gatekeepers' to both my future and my past. If I was to offend (read: present a conservative viewpoint on an issue) those in power (read: my professors, some other graduate students, the department secretaries), I could easily become persona non gratis, which can effect my opportunities, which effects my CV, which effects my viability and connections on the job market, for which is what I've spent the last five year of my life preparing. It's a sad thought knowing that the University, so often encouraging of rebelling against the Man, has got me over a barrel.

Thursday, October 04, 2007

Calling Modern Art Historians!

Tuesday, I bought Dashboard Confessional's new album, and I noticed a remarkable similarity to the other latest album I've bought, the Across the Universe soundtrack (which I still haven't seen, grr).


I don't know much about current art trends, but surely there is some ur-text that is influencing both of these album covers. Who first did the dripping, splattered, painted fruit?

Tuesday, October 02, 2007

Watch it Again

I know I've sent this to a lot of people, but I can't stop watching it. Hilarious. Eddie Izzard's comedy is extremely smart; I love the Monty Python homage.